Featured

Seeing Tokyo Through Different Perspectives with Ricardo | Alpha 7 IV | Alpha Traveller

by Songmatin

Article Categories

Body Category

Sony Alpha cameras and lenses deliver awe-inspiring imagery, preserving the invaluable moments that we experience on our journeys. In this Alpha Traveller series, follow our globetrotters as they set off to explore and discover the wonders of the world.

Ricardo captures the hustle and bustle of life in Tokyo through unique perspectives.

 

Built for today’s creators, the Sony Alpha 7 IV offers ground-breaking shooting performance, AI-powered tracking and Creative Look settings that bring artistic masterpieces to life. These features were a no-brainer for Taiwanese travel photographer, Ricardo (@songmatin), who has an uncanny knack for challenging perceptions of the ordinary. 

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1/3200 sec | F1.2 | ISO 160

Bursting with style and self-expression at Takeshita Street, Harajuku

 

With the Alpha 7 IV by his side, Ricardo set out to push his photography skills to the limit in Tokyo. “Every trip is an opportunity to see how far I have come in my photography journey. My vision for this trip was twofold: showcase the peculiarities of life in Tokyo, and breathe new life into fixed locations like cafes and buildings,” said Ricardo. Read on to learn more about how Ricardo captured the different sides of Tokyo on camera.

 

Getting a Lay of the Land

 Nightscape of Tokyo with the Tokyo Tower illuminated

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1 sec | F4 | ISO 100

Night view of the illuminated Tokyo Tower amongst the metropolis’ numerous buildings

 

View of the base of the Tokyo Skytree from a nearby canal

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1/400 sec | F5.6 | ISO 160

Walking past a canal in front of the Tokyo Skytree

 

During the preparation phase, Ricardo looked at other people's works to familiarise himself with unknown places. "Whenever I saw a picture that I liked from official travel accounts or local photographers, I would use them as a point of reference and study the locations using Google Maps' Street View feature. With this app, I was able to find nearby vantage points and even other photo-worthy spots that were on the next street over," he explained.

Alpha 7 IV | FE PZ 16-35mm F4 G | 35mm | 1/320 sec | F8 | ISO 160

Tokyo’s Shinjuku area bustling with activities

 

Besides location, timing is just as crucial in creating stunning visual effects. "In each location, I would study the sunlight's angle at different periods to figure out the perfect combination of lights and shadows for buildings or other subjects. For example, when shooting midday photos, I would include shadows to mellow out the harsh sunlight. As for night scenes, I would arrive at the shooting location before the blue hour to take advantage of the sky's soft afterglow for a more dramatic feeling."

Alpha 7 IV | FE PZ 16-35mm F4 G | 26mm | 1/160 sec | F10 | ISO 1000

Taking shade under the lush, green trees in Shiba Park

 

The Perfect Kit for Urban Sights

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1/640 sec | F7.1 | ISO 160

Cycling on to the next destination

 

Ricardo chose the Alpha 7 IV for its fast performance and adaptability to the outside environment. "It's important to have the shooting settings work for you so you are less likely to miss precious moments, which is what the Alpha 7 IV is capable of. When taking street shots, I would set the camera to P or A mode using the full aperture and multi-mode metering feature and let the camera handle the rest. The camera also comes with a flip-out screen, allowing me to see my subjects no matter where I'm shooting from," he said.

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1/250 sec | F1.2 | ISO 1000

An experienced ramen master at work to serve the perfect bowl

 

When shooting, he tries to preserve the original colours and details as much as possible to enhance the visual appeal of the photos. "I usually set the camera's Creative Look setting to NT and play with the white balance to get a consistent tone. I also prefer not to overdo the HDR setting so I can preserve as much of the lights and shadows as possible. This way, viewers can think deeply about what is happening in the photos."

Bullet train shuttling across the city in the morning, with high-rise buildings in the background

Alpha 7 IV | FE PZ 16-35mm F4 G | 19mm | 1/500 sec | F4 | ISO 160

With a top speed of 320km/h, the Shinkansen welcomes many travellers to the city every day

 

Aerial view of Shibuya at night, with a large crowd moving across the Shibuya Scramble Crossing

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1/13 sec | F4 | ISO 200

People watching from the observation deck of Shibuya Sky

 

Ricardo chose to pair his camera with the FE 50mm F1.2 GM large-aperture prime lens and the FE PZ 16-35mm F4 G ultra wide-angle lens because of their superior image quality. "The FE 50mm F1.2 GM lens allowed me to focus on specific subjects, while the FE PZ 16-35mm F4 G lens was perfect for capturing the hub-bub of the streets or skyscrapers without any loss of detail. Both lenses can be paired with the Alpha 7 IV's Super 35mm mode, which lets me shoot from greater distances and play around compositionally with backgrounds."

 

Lessons for Aspiring Travel Photographers

Exterior of a hole-in-the-wall Chinese restaurant, with people walking by

Alpha 7 IV | FE PZ 16-35mm F4 G | 23mm | 1/250 sec | F4 | ISO 320

Pedestrians shuffle past a quintessentially Tokyo hole-in-the-wall restaurant

 

Crowd moving around at the Shibuya Scramble Crossing at night

Alpha 7 IV | FE 50mm F1.2 GM | 50mm | 1/50 sec | F1.6 | ISO 100

Caught in the crowds of the Shibuya Scramble Crossing

 

For photographers looking to embark on new journeys, Ricardo encourages them to go where the locals are. "Walking pedestrians can be the perfect framing device, as they can be blurred out depending on how fast they walk, leaving the main subject in full view. You can also shoot large groups of tourists to convey the busyness of the metropolis," said Ricardo.

Ricardo also recommends capturing photos in RAW format to preserve important details. "Shooting RAW photos can improve exposure and bring obscure features to light, even during sunny conditions. It also makes pre-shooting and post-production editing faster and easier to perform for a cleaner and more natural look."

Alpha 7 IV | FE PZ 16-35mm F4 G | 23mm | 1/250 sec | F4 | ISO 320

Looking over the East Sea from the airplane

 

Lastly, Ricardo encourages aspiring travel photographers to step out of their comfort zone and not be afraid of making mistakes. "As cliched as it sounds, everyone makes mistakes. Worrying about making mistakes is less fruitful than thinking more about how you can learn from them. Once you've polished this ability to avoid them, you gain the confidence to experiment - which can be further fuelled with gear that helps you push your creative boundaries."

 

Article Theme

We would like to request access to your Geolocation to provide you with a customised experience. Please know that you can withdraw your consent at any time via your browser settings.